Realization of casts and copies

Fedeli Restauri performs casts and copies in different materials using traditional methods, silicone rubbers, laser scanners and 3D printers.

Plaster copies - Resin copies - Marble copies - Fiberglass copies - Concrete copies - Forms for lost wax casting - Copies in bronze

In the 1970s he was among the first to experiment with the use of silicone rubbers, resins and marble dust on the occasion of the construction of the Pulpit by Donatello and Michelozzo of the Cathedral of Santo Stefano in Prato (1972), still on site.

Donatello-Michelozzo, Pulpit, 15th century

Marble, Prato, Santo Stefano Cathedral - execution of mold made with silicone rubbers and copy in resin and marble dust. The cast of Prato Cathedral's Pulpito represents one of the first applications in which the use of resins and silicone rubbers is experimented (1972)

Donatello-Michelozzo, Pulpit, 15th century

Marble, Prato, Santo Stefano Cathedral - execution of mold made with silicone rubbers and copy in resin and marble dust. The photo shows Andrea Fedeli in 1972 during the realization of the cast. The cast of Prato Cathedral Pulpito is one of the first applications in which the use of silicone resins and rubbers is tested

Valerio da Settignano, Bacchino (Nano Morgante), 16th century

Marble, Florence, Boboli Gardens - execution of mold made with silicone rubbers and copy in resin and marble dust

Giovan Battista Lorenzi, Fountain of Ganimede, 16th century

Marble, Florence, Boboli Gardens - execution of mold made with silicone rubbers and copy in resin and marble dust

Pisanello, Medals, XV century

Bronze, Florence, Bargello National Museum - bronze copy execution

Nanni di Banco, Quattro Santi coronati, 1409-1416

Marble, Florence, Church of Orsanmichele - copy in resin and marble dust

Giovanni Tedesco, Madonna della Rosa, 1399

Marble, Florence, Church of Orsanmichele - copy in resin and marble dust

Benedetto da Maiano, Madonna dell’Ulivo, 1480

Terracotta, Prato, Duomo - resin copy and earthenware powder

Michelangelo-Giovanni di Baldassarre called the Piloto, Lanterna della Nuova Sacrestia, XVI century

Bronze, embossed and gilded copper, Florence, Medici Chapels - Basilica of S Lorenzo - copy of bronze, embossed and gilded copper

Filippo Brunelleschi, Wall apparatus of the Dome of S. Maria del Fiore, 14th century

Laterizio, Florence, Cathedral of Santa Maria del Fiore - molding with silicone rubbers and copy in resin and fiberglass

Greek sculpture

Marble I century, Execution copy

Plaster copies of the Madonna della Rosa by Benedetto da Maiano, one of the characters of the Four Holy Crowned by Nanni di Banco, and other artefacts