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Fedeli Restauri deals with disinfestation and restoration of: Sculptures and bas-reliefs in polychrome and / or gilded wood - Carved and / or golden and / or silver frames - Tarsie and wooden salesman - Furniture and furnishings in general - Large carved and inlaid wooden artefacts (altars, choirs, sacristy furniture, organs, cantorie etc.) - Coffered wooden ceilings and trusses - Structures and complements of architecture

Donatello, Pulpito della Resurrezione, XVth century

Bas-reliefs in wood treated with fake bronze recently attributed to Pietro Tacca / Giambologna, Florence, Basilica di San Lorenzo. On the occasion of the restoration carried out in the seventies of the twentieth century, black and red pencil drawings on a poplar table attributed to Jacopo Pontormo were found inside: the Flagellation and San Giovanni Evangelista. These panels were made on reused axes then to internally pad the two pulpits and support the sculpted bas-reliefs (see FEDELI F. 2014; FEDELI F. 2017)

Donatello, Pulpito della Resurrezione, XVth century

Coronation of Spine, bas-relief in wood treated in fake bronze recently attributed to Pietro Tacca / Giambologna, Florence, Basilica di San Lorenzo. On the occasion of the restoration carried out in the seventies of the twentieth century, black and red pencil drawings on a poplar table attributed to Jacopo Pontormo were found inside: the Flagellation and San Giovanni Evangelista. These panels were made on reused axes then to internally pad the two pulpits and support the sculpted bas-reliefs (see FEDELI F. 2014; FEDELI F. 2017)

Donatello, Pulpito della Resurrezione, XVth century

San Luca Evangelista, bas-relief in wood treated in fake bronze recently attributed to Pietro Tacca, Florence, Basilica di San Lorenzo. . On the occasion of the restoration carried out in the seventies of the twentieth century, black and red pencil drawings on a poplar table attributed to Jacopo Pontormo were found inside: the Flagellation and San Giovanni Evangelista. These panels were made on reused axes then to internally pad the two pulpits and support the sculpted bas-reliefs (see FEDELI F. 2014; FEDELI F. 2017)

Jacopo Pontormo, La Flagellazione, 1546-1556

Drawing in black and red pencil on poplar table, Florence, Basilica di San Lorenzo. The panel was discovered by Andrea Fedeli during the restoration work carried out on the Pulpit of the Passion in the seventies of the twentieth century (see FEDELI F. 2014; FEDELI F. 2017)

Jacopo Pontormo, San Giovanni Evangelista, 1546-1556

Drawing in black and red pencil on poplar table, Florence, Basilica di San Lorenzo. The panel was discovered by Andrea Fedeli during the restoration work carried out on the Pulpit of the Passion in the seventies of the twentieth century (see FEDELI F. 2014; FEDELI F. 2017)

Donatello, Pulpito della Passione, XVth century

Bas-reliefs in wood treated with fake bronze recently attributed to Pietro Tacca / Giambologna, Florence, Basilica di San Lorenzo. On the occasion of the restoration carried out in the nineties of the twentieth century, black and red pencil drawings on a poplar board were found inside. These panels were made on reused axes then to internally pad the two pulpits and support the sculpted bas-reliefs

Donatello, Pulpito della Passione, XVth century

Flagellation, bas-relief in wood treated in fake bronze recently attributed to Pietro Tacca / Giambologna, Florence, Basilica di San Lorenzo. On the occasion of the restoration carried out in the nineties of the twentieth century, black and red pencil drawings on a poplar board were found inside. These panels were made on reused axes then to internally pad the two pulpits and support the sculpted bas-reliefs

Donatello, Pulpito della Passione, XVth century

St. John the Evangelist, bas-relief in wood treated in fake bronze recently attributed to Pietro Tacca on model by Ghiberti, Florence, Basilica of San Lorenzo. On the occasion of the restoration carried out in the nineties of the twentieth century, black and red pencil drawings on a poplar board were found inside. These panels were made on reused axes then to internally pad the two pulpits and support the sculpted bas-reliefs

Crocifisso, XIII-XIV century

Polychrome wood sculpture, Genova, Museum of Sant'Agostino

Giambologna, Crocifisso,XVI century

Sculpture in wood, Fiesole (FI), Church of San Jacopo al Girone

Francesco da Sangallo/Michelozzo, San Giovanni Battista, XVth century

Polychrome wood sculpture, Church of San Romolo in Bivigliano (FI)

Baccio da Montelupo, Crocifisso, 1496

Wooden sculpture, Florence, Museum of San Marco

Famiglia Del Tasso, Crocifisso, XV secolo

Polychrome wood sculpture, Prato, Church of Fossato (during the restoration)

Famiglia Del Tasso, Crocifisso, XVth century

Polychrome wood sculpture, Prato, Church of Fossato

Crocifisso, XVth century

Sculpture in wood, Roncofreddo (FC), Museum of Sacred Art

Giorgio Vasari, Ciborio Vasariano e Angeli, XVI century

Carved wood, painted and gilded, Florence, Santa Croce

Counter-façade with organ, choir and frames

Wood carved and gilded, Impruneta (FI) Basilica of Santa Maria

Gherardo Silvani, Model of the facade of the Cathedral of Santa Maria del Fiore, 16th century

Wood carved and painted, Florence, Museo dell'Opera del Duomo

Gherardo Silvani, Model of the facade of the Cathedral of Santa Maria del Fiore, 16th century

Wood carved and painted, Florence, Museo dell'Opera del Duomo (tergo)

Bernardo Buontalenti, Model of the facade of the Cathedral of Santa Maria del Fiore, 16th century

Wood carved and painted, Florence, Museo dell'Opera del Duomo

Giovanni De Medici, Model of the facade of the Cathedral of Santa Maria del Fiore, 16th century

Wood carved and painted, Florence, Museo dell'Opera del Duomo

Sansovino, Model of the marble face of the Cathedral of Santa Maria del Fiore, 16th century

Wood carved and painted, Florence, Museo dell'Opera del Duomo

Pier Antonio degli Abbati-Lendinara, Choir, late 15th century

Carved and inlaid wood, Ferrara, San Cristoforo alla Certosa (during the restoration)

Pier Antonio degli Abbati-Lendinara, Coro, end of the fifteenth century

Carved and inlaid wood, Ferrara, San Cristoforo alla Certosa

Soffitto a lacunari, XIV / XVIIth century

Carved wood and painted, Florence, Basilica of San Lorenzo - Domenico di Paris a Ferrara

View of the attic of the Basilica of San Lorenzo in Florence

(restoration of trusses and lacunars)

Ceiling of the Sala dei Duecento, XV - XVI century

Carved, gilded and painted wood, Florence, Palazzo Vecchio

Domenico di Paris, Ceiling of the Sala degli Stucchi and frieze, 1467-1471

Pastille and carved wood, painted and gilded, Ferrara, Palazzo Schifanoia

Giuliano da Maiano and Domenico del Tasso, Coro, 1481-1491

Wood carved and inlaid, Perugia, Cathedral of San Lorenzo (reconstruction of an inlaid panel). In 1985 the choir suffered a devastating fire that charred it for over a third. Fedeli Restauri took care of the restoration and reconstruction of the destroyed part

Giuliano da Maiano e Domenico del Tasso, Coro, 1481-1491

Carved and inlaid wood, Perugia, Cathedral of San Lorenzo (after restoration and reconstruction)

Altari

Church of San Francesco a Giano dell’Umbria (PG)